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Various - Gimme Shelter
18,69 € *
zzgl. 3,99 € Versand
Anbieter: reBuy
Stand: 01.06.2020
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Mondo - High Fidelity (A Hulu Original Soundtra...
32,49 € *
zzgl. 1,49 € Versand

Mondo in partnership with Hollywood Records and HULU are proud to present the soundtrack to the HULU Original series HIGH FIDELITY. Based on the novel and film of the same name, the all new 10 episode series (premiering this Valentine's Day) reimagines the story of our music obsessive, perpetually heartbroken record store owner Rob (Zoe Kravitz) in 2020 Williamsburg, Brooklyn. Naturally, the show has stellar music and we are proud to present the soundtrack to the series on vinyl — as Rob would've wanted it. Featuring classic tracks by the likes of Ann Peebles, Darando, William Onyebor, Blondie, as well as several original songs and covers from the series itself. Features: Composed by Various Artists Pressed on 180 Gram Black Vinyl Tracklist: I Can’t Stand the Rain Performed by Ann Peebles Didn’t I Performed by Darondo I’ll Make Love to You Performed by Thomas Doherty Come on Eileen Performed by Dexys Midnight Runners Tiebreaker Performed by Thomas Doherty Once I Had Love Performed by Blondie Fantastic Man Performed by William Onyeabor Till It Hits the Ground Performed by Thomas Doherty Gimme Light/New Tattoo Performed by Thomas Doherty Pains Performed by Silk Rhodes I Believe (When I Fall in Love It Will Be Forever) Performed by Da’Vine Joy Randolph

Anbieter: Zavvi
Stand: 01.06.2020
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Rock 'N' Film
26,90 CHF *
ggf. zzgl. Versand

For two decades after the mid-1950s, biracial popular music played a fundamental role in progressive social movements on both sides of the Atlantic. Balancing rock's capacity for utopian popular cultural empowerment with its usefulness for the capitalist media industries, Rock 'N' Film explores how the music's contradictory potentials were reproduced in various kinds of cinema, including major studio productions, minor studios' exploitation projects, independent documentaries, and the avant-garde. These include Rock Around the Clock and other 1950s jukebox musicals; the films Elvis made before being drafted, especially King Creole, as well as the formulaic comedies in which Hollywood abused his genius in the 1960s; early documentaries such as The T.A.M.I. Show that presented James Brown and the Rolling Stones as the core of a black-white, US-UK cultural commonality; A Hard Day's Night that marked the British Invasion; Dont Look Back, Monterey Pop, Woodstock, and other Direct Cinema documentaries about the music of the counterculture; and avant-garde films about the Rolling Stones by Jean-Luc Godard, Kenneth Anger, and Robert Frank. After the turn of the decade, notably Gimme Shelter, in which the Stones appeared to be complicit in the Hells Angels' murder of a young black man, 1960s' music-and films about it-reverted to separate black and white traditions based respectively on soul and country. These produced blaxploitation and Lady Sings the Blues on the one hand, and bigoted representations of Southern culture in Nashville on the other. Ending with the deaths of their stars, both films implied that rock 'n' roll had died or even, as David Bowie proclaimed, that it had committed suicide. But in his documentary about Bowie, Ziggy Stardust and the Spiders from Mars, D.A. Pennebaker triumphantly re-affirmed the community of musicians and fans in glam rock. In analyzing this history, David E. James adapts the methodology of histories of the classic film musical to show how the rock 'n' roll film both displaced and recreated it.

Anbieter: Orell Fuessli CH
Stand: 01.06.2020
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Rock 'N' Film
22,99 € *
ggf. zzgl. Versand

For two decades after the mid-1950s, biracial popular music played a fundamental role in progressive social movements on both sides of the Atlantic. Balancing rock's capacity for utopian popular cultural empowerment with its usefulness for the capitalist media industries, Rock 'N' Film explores how the music's contradictory potentials were reproduced in various kinds of cinema, including major studio productions, minor studios' exploitation projects, independent documentaries, and the avant-garde. These include Rock Around the Clock and other 1950s jukebox musicals; the films Elvis made before being drafted, especially King Creole, as well as the formulaic comedies in which Hollywood abused his genius in the 1960s; early documentaries such as The T.A.M.I. Show that presented James Brown and the Rolling Stones as the core of a black-white, US-UK cultural commonality; A Hard Day's Night that marked the British Invasion; Dont Look Back, Monterey Pop, Woodstock, and other Direct Cinema documentaries about the music of the counterculture; and avant-garde films about the Rolling Stones by Jean-Luc Godard, Kenneth Anger, and Robert Frank. After the turn of the decade, notably Gimme Shelter, in which the Stones appeared to be complicit in the Hells Angels' murder of a young black man, 1960s' music-and films about it-reverted to separate black and white traditions based respectively on soul and country. These produced blaxploitation and Lady Sings the Blues on the one hand, and bigoted representations of Southern culture in Nashville on the other. Ending with the deaths of their stars, both films implied that rock 'n' roll had died or even, as David Bowie proclaimed, that it had committed suicide. But in his documentary about Bowie, Ziggy Stardust and the Spiders from Mars, D.A. Pennebaker triumphantly re-affirmed the community of musicians and fans in glam rock. In analyzing this history, David E. James adapts the methodology of histories of the classic film musical to show how the rock 'n' roll film both displaced and recreated it.

Anbieter: Thalia AT
Stand: 01.06.2020
Zum Angebot